Saturday, August 20, 2016

Idyllic Koottaala in Thrissur

I recently had the opportunity of visiting a really beautiful but relatively unknown place in Thrissur called as Koottala. Koottala is one of the most idyllic, pristine places that I've seen and is just a stone throw away from Mannuthy, hardly 10 mins away. Lush green fields and vegetation, interspersed with water bodies offer a very relaxing ambience. The recently widened highway to Palakkad gives a very seamless and quick access to this place. Yet, it is the unspolit, virgin natural beauty that really attracted me, with lush greenery all around. There is a lot of cultivation and fields with plenty of water all through the year and the great thing is that all this natural beauty is present with the added advantage of proximity to Thrissur city as well as the fast developments happening along the the highway. The Malabar Integrated Township is just beyond Mannuthy, hardly 10 minutes away and Bobby Chemmanur's proposed Oxygen City is right in front of Koottala. Other places include the Kerala Agricultural University and the Peechi Dam. Considering all these things, Koottala is an ideal place to locate one's home to fully realize the tremendous benefit of living in a naturally pristine rustic location, yet one which has all the advantages of connectivity and a modern amenities

Sunday, July 31, 2016

RMJM Instagram Competition

#RMJM60 Instagram Competition

Monday, June 13, 2016

How to prepare for architecture internships in India, by Sujith.G.S

Internships are a crucial part of a student architect's life. Presently, the period of internship is for a whole year. It is very important that you get into a good architecture firm for your training, as that will have a huge influence on your future career. One learns a lot more during the internship than from the college, especially the practical aspects of the profession. So it is crucial to get into a good firm for gaining great exposure. 

I did my internship with Ar.Gurjit Singh in Matharoo Associates in Ahmedabad, which is a very professional firm doing some really excellent work and I must say that those six months really changed my life for the better. I learned how a real office works, how projects are taken forward, how one interacts with clients, meaning of professionalism etc, which you never learn in college. That internship really showed me how a professional practice works and how a student has to learn so much additionally to be ready for working in the real world. I can't state enough how important it is to get into a good office for doing your architectural training.

Today, it is very difficult to get into a good firm for internship. This is because there are so many students out there who are looking to get into these limited good offices. Presently, there are around 500 colleges in India as per the Council of Architecture's website. Assuming there are a minimum of 40 students per batch, that means there are at least 20,000 students who would be looking to get into various offices for training in a given time. Of course, a lot of the colleges have more than 40 students per batch and newer architecture colleges are coming up all the time. So the number of students applying for training is only bound to get higher and higher. The competition is really intense.

I can give you a small example. The firm I work in, Stapati, got over 750 applications for internship this year, out of which we could offer internships for only 12 students.... that is,only around 1.5% of the applicants got selected for internships! It is that hard to get selected for training in a good architecture firm.

So how do you go about getting into that dream office for your internship? I would say that it is all about planning and good preparation. You need to start early and meticulously plan your application process till you get into a good architectural firm. 

Ideally, your planning process should start atleast six months before the date you want to join for internship, if not earlier. The first step would be to start working on your portfolio. A good portfolio is the only way in which you could get selected into a good office. So work hard on creating a very well crafted, professional and creative portfolio which would highlight your skills and strengths and show your best academic work.

Parallely you should start doing your research to identify the good firms where you want to apply. This should be a fairly large list and shouldn't be confined to a handful offices only where you will apply. Always remember the competition is intense, so apply to the maximum number of firms. If you get selected for more than one firm, you can always have the option of selecting the one you like and not join the others. That is an ideal situation, for which you'll have to work hard and plan well. Select firms whose works you like. Do a thorough research to identify the good firms. Along with the work, take into considerations things like which city is the firm based, as the larger architectural scenario and culture of the city also plays an important role. Ahmedabad would be a very good city for the architectural intern. Likewise, Bangalore, Mumbai, Auroville etc are a few other places which would add a lot of value to your decision. One other factor to consider would be the type of practice and the size of the firm. There are small, medium and large firms out there, each with its own advantages and constraints. So do factor that also into your decision.

So once you have prepared your portfolio as well as list of architects to do internship with, you start applying to the different architecture offices. Generally you would be required to send in your portfolio along with your application. Some offices require you to email it while some others require you to upload it on their website, while some others even have a dedicated email id for sending portfolios. Make sure you send your portfolio with a good covering letter, to the correct option for each office. Ideally this has to be done 3-4 months before your joint date for internship. 
Once you send in your portfolio, wait for some time and probably after a week or so, give a call to the office to enquire the status of your application. Please be thoroughly professional in your approach. Also, be patient as a lot of the offices some times give the confirmation towards the end only. In the meantime, keep exploring newer architects and architecture offices and send your portfolio to these offices as well. You never know when you'll find the right architecture office for internship.

SUJITH.G.S is an architect and writer, with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at 

Sunday, June 12, 2016

When to start applying for architecture internship in India ?

That is always a very interesting question. When is the right time to apply for architecture internships ? The genuine answer to that question is that there is no definite time period for application which will grant you an internship in a good office for certain. In today's age, when there are so many architectural colleges and so many students competing for those few internship opportunities, it becomes highly important to apply early enough so that your portfolio will be reviewed properly. Most of the firms, especially the really good ones, usually finalise their selection of candidates for internships quite early itself and don't leave it till the last moment. 

The earlier you send your portfolio the better. This is especially so because, this will give the firms a lot more time to go through your portfolio in detail and if it is good then block you or particular seat before considering another applicant. And in my experience, the portfolios send In earlier, which are relatively decent will always be be selected initially itself and the decision will not be reversed.  

Some of the firms, like Rahul Mehrotra Associates, clearly ask for you to apply at least 4 months prior to your date of joining. That means that you have to start preparing for internships minimum 6 months prior to your joining date. You will have to do your research and identify the firms you want to send your portfolio to. Once you have your list of firms ready, you should immediately send your portfolio. You should ideally have a good number of firms identified to send your portfolio. You cannot decide that this is the firm that I want to work, so I'll send it here only. This is because, most getting selected for internship in your choice of office is very difficult. So always be safe and apply to as many good practices as possible. 

SUJITH.G.S is an architect and writer, with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at 

Friday, June 3, 2016



Came across these very interesting honeycomb window shades from Hunter Douglas! Do check it out!

An attractive window and the right light can change everything—from your room to your mood. Hunter Douglas, has mastered the art of window dressing by engineering innovative functions into stylish, versatile looks for every window in your house.

Hunter Douglas is a leader in light control, energy efficiency, operating systems and motorization, which makes your home smarter, your days easier, and every room that much prettier.

Since developing the first lightweight aluminum blind in 1946, Hunter Douglas has led the industry in creating the highest quality, innovative window coverings for homeowners. Our products provide solutions for everyday, practical needs - from privacy to safety to light control - while also satisfying your desires for a stylish furnishing that transforms your home.

Exclusive fabrics, energy-saving innovations. Our state-of-the-art, patented design for these attractive shades incorporates three insulating air pockets reducing heat loss at the window by 40%. Most people are unaware of the enormous energy lost through windows and of the energy and cost savings available to them by adding energy-efficient Hunter Douglas window fashions such as Duette Architella honeycomb shades to their windows. By installing Duette Architella shades, a homeowner can reduce heating, cooling, and lighting energy needs in three significant ways.

Reduce HEAT flow

Heat flows through closed windows when there is a temperature difference between the inside and the outside. Heat always flows from warmer to colder, never the other way around.

· In the infrared photo, the window covered with a Duette Architella shade (right) is shown to allow much less energy loss than the bare, bright red window (left).

· The measure of a product's ability to resist heat flow is called R-Value. The higher the R-value number, the more insulation the product provides and the better it is at reducing heat flow.

· In the winter, as much as 40% of the heat that escapes a home flows through the windows. But, a homeowner can reduce up to 30% on their energy bill when they select Duette Architella shades for their home.

· If you live in a cold climate requiring significant heating for more than half the year you should select a window covering that adds at least one point of R-value to offset heating costs.

R-Value comparison: # Duette Architella 3/4” Semi-Opaque R-Value of 6.25;  
                                  #Duette 3/4” Semi-Opaque at an R-Value of 5.16
              (R-Value measured on a low-e double glazed window)

Control SOLAR heat

· The portion of solar energy that passes through a window to become heat is measured using the SOLAR HEAT GAIN COEFFICIENT (SHGC). SHGC is a decimal fraction between 0 and 1.

· The lower a product’s SHGC, the less solar heat it transmits, which can help a home stay cooler in the warm summer months.

· Standard double-pane windows have a solar heat gain coefficient (SHGC) of 0.76—meaning 76% of solar heat gain gets into the home.

· If you live in a hot climate, or anywhere summers get hot, you need a window covering that effectively reduces solar heat gain.

· Duette Architella honeycomb shades can reduce solar heat gain from 76 % (bare glass) down to 17% depending on the fabric chosen.

SHGC comparison: # Duette Architella 3/4” Semi-Opaque SHGC of 0.24
                                # Duette 3/4” Semi-Opaque SHGC of 0.36
             (SHGC measured on a standard double glazed window)


·   Using natural light to illuminate home interiors is called DAYLIGHTING and when properly controlled, can be an effective way to reduce electric light use, thus saving energy.

· Duette Architella honeycomb shades have fabric options that filter up to 99% of the harmful UV rays while in the closed position.

· The goals of daylighting are to even the intensity of incoming light and bring light deeper into the room. The best way to do this is by diffusing light.

· Duette Duolite™ shades, which combine Duette Architella fabric with a Semi-Sheer or Sheer fabric, will diffuse light into the room plus add visual variety to any window.


Duette® Architella® honeycomb shades offer luminous colors and crisp, consistent pleats. Lower them for privacy, or raise completely for maximum light and view—they’re beautiful either way. Also consider our Architella Trielle™ Elan® shades. Their five insulating air pockets make it our most energy-efficient design yet. 

Contact details:

Hunter Douglas India Pvt Ltd. –

Mumbai : +91 22 67617500/552

SUJITH.G.S is an architect and writer, with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at

Saturday, May 28, 2016

Top 10 Bathroom Design Ideas for the modern home, by Sujith.G.S

Traditionally, bathrooms were spaces hidden away from view with only basic necessities and functionality. Today, people are opening up their bathrooms and flaunting the spectacular designs and luxurious accessories, making their own unique style statements. Right from TVs to Jacuzzis and fancy showers – a modern bathroom has it all. With homes becoming more and more opulent and designer, what better way to create exclusiveness than to have a custom designed, trendy bathroom?
Bathrooms have come a long way since the days of the plain ceramic tile and the ubiquitous Indian closet. Today, European closets, bidets, wash basin counters, shower cubicles and the like have become the norm. People are constantly looking at newer trends and styles. 

Dive in and take a look at the Top 10 Bathroom Design Ideas for the modern home – 

Nature is the ultimate luxury – Natural light, greenery and good ventilation is the new mantra for a contemporary bathroom. Adding that little patch of green can go a long way in enlivening the ambience of a bathroom, which in today’s fast paced life is the ideal stress reliever.

The stand alone bathtub – Having a free standing bathtub to relax is the perfect way to pamper oneself. Open up the bedroom and bathroom into a single space by using sliding door to create a seamless ambience. The standalone bathtub would be the cynosure of this space, adding class and sophistication.

Fill it up with quirky accessories – Small things matter in a bathroom. Add that touch of vibrancy to the space by using artistic accessories like bespoke towel rods, uniquely shaped soap dishes, or colourful funky cups for holding toothbrush and other paraphernalia. Go wild with accessories, which could also be curios collected during travels to various places.

Play with materials – Compared to the early days when ceramic tiles were the staple fare, there are a plethora of options today, with an amazing range of designs, patterns, textures and brands to choose from. Rustic natural stones add a lot of class to the bathroom, which can be complemented by newer materials like copper, bronze, chrome, travertine etc.

Use hand-painted tiles – Hand painted tiles for the walls can increase the chic quotient of any space. Athangudi tiles from Chettinadu are perfect for this. Combine these with a neutral material palette like that of polished cement finish, to create a refined and sophisticated space.

Add a dose of Art – Good art shows refined taste. Thoughtfully chosen art will add plenty of character and charm to a bathroom and can guide the tone of the entire space. Make sure that the size of the artwork goes with the scale of the space.

Get a designer mirror – Mirrors are one of the most neglected objects in a bathroom. For creating a stunning space, get a custom designed mirror which will go with the overall ambience and character of the space.

The open air shower – For the bold at heart, create an open air shower in your bathroom. There is nothing as uplifting as having a shower in the open, provided, the design ensures sufficient privacy from prying eyes. 

Go for a monochromatic colour scheme – Accentuate the minimalistic elegance of a space by using a monochromatic colour palette. Remember to add a dash of a bright colour to bring in an element of playfulness.

Paint it Black – There is nothing as mysterious and seductive as a rich black surface. Use black selectively, combining it with various textures to enhance the classiness of a space.
Today, one is spoilt for choice when it comes to creating a stunning bathroom. All that is required is a creative frame of mind and a discerning eye. Follow the above ideas to create a stunning bathroom guaranteed to make one feel like royalty!

SUJITH.G.S is an architect with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at

Tuesday, May 24, 2016



Avani Institute of Design organized its first Annual exhibition, titled ‘AVANI 01’ from the 13th to the 19th of May at Mandalay Hall in Cochin, showcasing the works done in the first year studio. One of the primary objectives of the exhibition was to open up the activities and vision of the school to the public, thereby attempting to start a conversation on architecture and design. This is in a way necessary, as we, the architects, have managed to insulate ourselves from the general public and in the process, have placed ourselves on an pedestal, removed from the realities of the modern day. This is even more drastic in the scenario of architecture education, as in architectural practice one is forced to engage with the clients, while in architecture schools, this engagement is totally absent. One might argue that projects undertaken in an architecture school has to be hypothetical, pushing the boundaries of reality and imagination. But the drawback of this approach is all too evident in our built environments, with horrendous works which are out of sync with the ground realities.

It is in this context that Avani 01, as an exhibition of student’s works, gains relevance and is a critical step in opening up the domain of education to the public and thereby exposing students to think from a client’s perspective. A true conversation starts when there is an honest give and take between the various stakeholders shaping our built environment, of which the common man is an integral element. By establishing such a culture of interaction, openness and critique, Avani 01 will encourage students to come out of their cocooned academic ambience and think of the larger issues and varying perspectives in the society, helping them develop as sensitive well rounded professionals. This is a critical mandate which has to percolate to all our educational institutions, where even the academic faculties have to start interacting with the practical side of the profession and the realities of our built environment.

The overwhelming positive response received from people from all spectrum is an indication that public at large is curious to engage with our profession, even though they may not truly relate to all the design exercises. The fact that people interacted with the students, trying to understand the concepts behind various installations and exhibits and telling students what they thought of the designs, was a very encouraging response, especially as majority of the visitors were general public, who were not architecturally educated. The critique from the visiting architects too would have given the first year students a lot of inspiration, which would undoubtedly help them in their coming years and help them develop into better designers.

SUJITH.G.S is an architect and writer, with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at

Friday, May 20, 2016

Avanti Annual Exhibition - AVANI 01


The Avani Institute of Design has organised its first year end exhibition, featuring the works done by the students, in Mandalay Hall, Cochin. There are talks and discussions by eminent architects and artists along with the exhibition, creating a series of events which will encourage conversations to happen and try to break the invisible barrier between the practitioners and the general public. That such conversations have to happen even in our academic institutions is one of the primary objectives of AVANI 01

SUJITH.G.S is an architect and writer, with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at

Monday, May 16, 2016

The craft of writing and its relevance for architects - Sujith.G.S

Architecture is a reflection of the social, cultural and economic fabric of any society, concerning predominantly with the built environment and the allied aspects which influence human progression. From the initial practitioners to the organized profession of architecture, architects have evolved continuously, embracing multiple mediums for communicating their ideas and concepts and ultimately getting these manifested in a tangible reality. Drawings and other means of graphical representation form the core faculty for architects, yet other media are equally significant.

In today’s globalised world, newer technologies, processes and systems are opening up various avenues for exploration, with the architect having to master these varied modes of representation and communication, to stay relevant. In this context, writing forms an integral part of any architect’s skill set, which is unfortunately getting neglected in today’s digital world.

Writing on architecture is relevant to thinking on the state of the practice, to analyze and develop theoretical positions, without which architecture becomes a mere problem solving exercise, failing to elevate and substantiate its larger role in transforming the society. However, there is very little serious writing on architecture in the country, reflecting to a large extent the changing priorities of our globalised world, with its fascination for glitz and glamour. Also, writing is nowadays reduced to mere fanciful descriptions glorifying the aesthetic elements in a project, with the majority of the projects featured being of an opulent nature. These are often deceptively simplistic and are taken by the public as well as the younger generation of architects to be the relevant aspect of any design. This lack of a critical perspective is gradually eroding the qualitative base of the profession, slowly directing the discussions and deliberations away from the core issues and concerns of our built environments.

In such a context, what is the relevance of writing in today’s environment, when there is an overdose of fanciful images? We have all heard that a picture is worth a thousand words and this is especially pertinent for architects who predominantly communicate through drawings and images. However, even for a regular feature on a project, the written word is equally relevant. Images alone will not always communicate the intent behind a design, on how a design has evolved, what the unique constraints and challenges were for the particular site and program. For a deeper understanding of a project, one has to move beyond the seductive imagery and understand the myriad layers that make up a project, right from the regional context in which a project is sited, it's response to that context, or lack of it and how the design has been shaped by the specific features of the site, the role of the client in evolving the building program - all these cannot be fathomed from the beautiful photographs of a project alone. These have to be put down in words in a clear and interesting manner, bringing out the underlying narratives which have shaped the design and which will help one understand the logic behind it, leading to a critical evaluation of the project.

Writing as a craft has the power to elevate a design to a different plane, adding a lot more depth and meaning to it. These need not be through long complex monologues, but can ideally be expressed through a few well crafted sentences. Such a narrative will open up the design to a lot of people who may never get the chance to experience the space in person. The experiential side of the spaces, which is not always understood from images alone, can be brought out – the quality of space, of light and shadows, volumetric compositions and massing, silence, the ambient mood, visual axis and frames, edges, relation to landscape and nature...all these, if elucidated through a few well crafted sentences, can transport one to the actual space and design, even if it is physically not possible to visit the project. This will go a long way, especially for students and architects, apart from the general public, who would want to study and analyze the designs in various international contexts, but are not able to go visit each and every space.

In the study of architectural history also, the written word has an important role to play, bringing out the nuances of the structures which were built at various periods in history, establishing their contextual, social and cultural relevance. They are further relevant in documenting our rich architectural traditions. These studies are an important aspect of design pedagogy and practice, opening up the minds to how our built fabrics have evolved over time and contributed in shaping the respective societies. Such a historical perspective is also essential for one to understand the present state of the architectural discourse around us.

In the practice of architecture, the ability to communicate in a clear, concise manner is one which needs to be rigorously cultivated and developed. In today's technologically advanced world, our haptic faculties are slowly getting eroded. We are over dependent on the ever evolving newer forms of communication like texting, whatsapping etc, which has contributed in a gradual decline of our ability to write in a legible, coherent manner.

Yet, it is important that as architects, we have the basic writing skills to compose and draft decent content. As a professional, writing forms an integral means of communication - you have to write letters and emails to clients, vendors, consultants etc, apart from preparing project reports, presentations and publication materials. One regularly comes across poorly written emails on a daily basis from student architects and young architects, who would be looking for an internship position or for a job opening. Even before you take a look at the attached resume and portfolio, the first impression is subconsciously formed based on the quality of the email and the few lines that has been written. It simply shows that one did not place enough importance to take the help of someone well versed in language and writing, and is an indirect reflection of one's lack of professionalism and attention to detail.

Legibility of communication in today's professional world is of paramount importance. The written word, through emails, letters, reports, specifications etc is very important in clarifying and taking forward a project. Right from the initial communications with a client, to sending across your quotation and terms of engagement, to subsequent stages in the design evolution where you have to communicate the intent and concepts behind the design and convince the clients, to the construction stage of a project when you will be interacting with multiple consultants, vendors and contractors; streams of communication, both oral and written are equally decisive. As an architect, one has to master these various forms of communication, each with their own individual rules of engagement.

Writing is also about thinking – it makes you think about the issue at hand and helps in clarifying the thought process. The what, why, how and when is often made clear in ones own mind by a process of writing. Increasingly, research is becoming an integral part of the architectural discourse and practice. All of the mature practices have a constant interest in research and analysis. It can be purely architectural or can be a lot more interdisciplinary, encompassing the worlds of art, culture, urbanism, sociology etc, all of which have significance in the globalised world we live in. The rapid pace of change in today’s world calls for greater conversations and dialogues to understand the present as well as to postulate the future of the profession. These call for a constant introspection into the state of the architecture practice across various forums and media, which will substantiate and evolve a new direction for the architecture practice in the country.


This is an article that has appeared in 'Unsettld', the Student publication of Avani Institute of Design, published along with the Avani Annual Exhibition.

SUJITH.G.S is an architect and writer, with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at

Wednesday, March 16, 2016

The architecture of the amazing new International terminal, T2, at Mumbai by SUJITH.G.S

Recently I had the good fortune of travelling to Mumbai for the jury for the IIA National Awards for Excellence in Architecture 2015. I had always wanted to visit the new Internatinal Terminal designed by SOM and this was a lucky opportunity to do just that. 

Airport architecture in India is generally characterised by a pseudo-contemporary approach to design, an attempt to create an international language,one which would supposedly portray the global ambitions of the Indian cities. Though the inherent idea behind this approach is noteworthy, the end results leave much to be desired. An airport, as with any other space should respond to the local context even while espousing a contemporary vocabulary. This however, has not been achieved with most of the new airport designs, including the larger airports in the metros. The designs even though nice, are not something one would classify as jaw-dropping, and the response to the local context is totally missing. It is in this background that the design for the new airport in Mumbai gains significance.

The airport, at first glance is simply amazing. The thing that really stands out is the wonderful fractal inspired columns which seamlessly merge into the ceiling as a pattern of coffer slabs. The wonderful concept is detailed out well to create a unique pattern on the ceiling, which combined with the interesting lighting detail, creates a truly amazing space. Long slender spots radiate out from the column capital, creating a dynamic ceiling design. Thus the columns and ceiling create an enclosure which defines the entire space. There are strong references to the traditional stone work so common in Indian architecture, which provides conceptual framework rooting the design in the larger context.

The interiors are well detailed out, with attention paid to even minute things. This attention to detail creates a sense of exclusivity and luxury. The design is unapolegetically contemporary in essence, yet provides references to our past through patterns, materials and colours.

In spite of such a wonderful design, the main attraction for me was the amazing art collection which was featured on a long linear wall on the way to the boarding gates. There is an extensive display of art from across the country, which was painstakingly curated by Rajeev Sethi, right from traditional woodwork which displays the intricacy and refinement of our crafts to contemporary installations, all referencing the richness of our art and craft traditions. The linear wall rises to a height of over 3 levels, creating a scale for the display of such grandiose art works. The passengers can also have a much intimate experience of the smaller sculptures which dot each level. There is no better way than a well curated display of art, to portray and celebrate the vibrancy and richness of our culture and that too in such a terrific setting. Hats off the the GVK group for having the vision and supporting such a complex, diverse and expensive collection.

Ar.Sujith.G.S at the T2 Terminal in Mumbai, in front of the amazing art collection

SUJITH.G.S is an architect and writer, with a passion for travelling, experiencing cultures, studying vernacular architecture as well as contemporary currents, which form the basis for his writing and blogging. You can contact him at